In the central panel of this opulent polyptych, Christ crowns his mother, the Virgin Mary, as gathered angels and saints look on. The altarpiece stood in a chapel dedicated to Saint Benedict in the ...

The collection of the J. Paul Getty Museum comprises Greek, Roman, and Etruscan art from the Neolithic to Late Antiquity; European art from the Middle Ages to the early twentieth century; and ...

A badly battered head depicting Alexander the Great, possibly as Helios. Eleven holes drilled in the hair encircle the head for the attachment of a crown. The portrait appears based on the Azara type.

This information comes from the Museum's collection database, and in some cases is incomplete or awaiting refinement. Researching the collection is a core component of our work, and we continue to ...

This bilingual (Chinese-English) edition provides English-speaking professionals working in China and the international preservation community with access to these guidelines developed for Gansu ...

Three-legged container with lid, decorated with scenes of heroes, athletes and courting. The knob at the top of the lid has been restored with a conical finial. The rim is offset and ornamented with a ...

The Getty Research Collections provide access to inventories and digital material from Getty Research Institute’s special collections and Getty Institutional Archives.

Learn about Nike, the winged goddess of victory, and about the tradition of the kore figure in ancient Greek art.

The Stammheim Missal's major illumination is reproduced in color for the first time, with an essay explaining the theological messages in its imagery.

Carol Armstrong explores the brilliant paintings that brought Cézanne’s career to a triumphant conclusion in Cézanne in the Studio: Still Life in Watercolors.

The sixteen essays in this volume reflect a wide range of research concerning methods for metals conservation, particularly in respect to ancient and historic objects. The variety of issues discussed ...

This text is based on notes and sketches prepared for an undergraduate course titled "Chemistry of the Environment and of Cultural Property," which Giorgio Torraca taught at the "Valle Giulia" Faculty ...