Presence' writer David Koepp on the devastating reveal of who is the ghost in the house, working with Steven Soderbergh and returning to 'Jurassic World.'

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There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.”

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.

Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When I think of horror, I think of Linda Blair in the MRI tube [in The Exorcist].

Steven Soderbergh's "Presence" is an unconventional haunted house story told from the perspective of the ghost -- and we've got the details.

Steven Soderbergh's Presence is a supernatural thriller about a family that discovers a mysterious presence in a suburban house they move into.

What if a ghost could tell its own story but not speak? That is the wildly compelling premise of Presence. Director Steven Soderbergh reteams with Kimi screenwriter David Koepp for an unconventional haunted house story, creating a film that is sharply funny, beguiling, a bit chilling, and ultimately sweet.

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.