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In 1898 Charles Ives set Psalm 67 to music. The piece begins with an eight-part bitonal chord, the men singing in four parts in G minor and the women in four parts in C major. In The World of ...
The devices that he introduced into his music – atonality, polytonality, dissonance, multiple rhythms, jazz, collage – were way in advance of the Stravinskys, Schoenbergs and Debussys of this world.
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