The stone simply indicates where his remains are buried. What about his life, identity, choices? His family, his legacy?

Sitting in joint 63rd in the 2022 Sight and Sound Great Films of All Time poll, few would question The Third Man’s inclusion; in fact, I was surprised it wasn’t higher. Written by Graham Greene, Carol ...

“In a world that’s been gamified to within an inch of its life, maybe indulging in pixels, bits and bytes can be a subversive ...

Although not his debut (that being Bottle Rocket), Rushmore is perhaps the first of Wes Anderson’s films featuring many of the associations we make with his singular style. Recurring cast members Bill ...

Colour, line, and the female form converge, as minimalist painter Daniel Halsall (below) exhibits works on paper, inspired by Schiele, Matisse, Picasso and others. With more than 200 works from 85 ...

“Words, text, art, text art, artists’ text, art writing.” Mike Pinnington on the intersection of and relationship between art and text… When we speak about art, we often refer to the ‘story’ of art, ...

“Opportunities to engage with names other than the movement’s usual suspects are all too rare.” Mike Pinnington on a close encounter with the geometric abstraction of Ding Yi… When we think about ...

To mark their recent smash success with the Big Give appeal, Laura Robertson speaks to Arts Emergency CEO Neil Griffiths about why it’s absolutely essential to keep on advocating for working-class ...

A new exhibition at Tate Liverpool takes as its departure point the docks on which the building stands, before plunging us into the depths and beyond. Mike Pinnington reviews The Plant That Stowed ...