Returning to past eras has been a tried-and-true method for horror movies for a long time, delivering chills by letting ...

F ear and violence have always been part of the human experience, and have been represented in the horror genre in one way or ...

Multidisciplinary artist and digital voyeur Kacie Marie is the star of Dread Central's March Centerfold. So go on. Take a ...

Here is the definition of erotic, according to 93-year-old artist Martha Edelheit. “It’s sensual, nonviolent, consensual, ...

but Dr. Frank-N-Furter is the hero here — in the 1970s and what Rocky Horror has meant for decades of fans in terms of queer aesthetics, queer visibility and being a generally jubilant ...

The claustrophobic and unsettling atmospheric setting along with the black-and-white cinematography creates a vintage horror aesthetic. 4. The Witch – YouTube The plot unfolds in 1630s New ...

There are moments when this aesthetic choice verges on gimmick, but for the most part it works. And Susie Cullen’s production design turns typical markers of a fine-dining environment ...

Political ideology, labor, and moral education are often interwoven, and these aims have simultaneously provided an opportunity for new media art to engage with aesthetic education. Under the policy ...

Fast-forward 25 years, and the now-adult Hal (Theo James) has gone full horror protagonist-in-exile. He’s estranged from his brother, haunted by his childhood, and doing his best to keep his son ...

His abstract art represents the very antithesis of his ... Noted painters who employed the same aesthetic include Jackson Pollock, who died at 44 years old in August 1956, and Gerhard Richter ...

Long admired for his ability to weave heartfelt, character-driven narratives around marginalised lives in his earlier work, Baker has essentially repackaged his well-worn aesthetic for a ...

Which she does, as they (and the film) reach a twisted, tormented, climax. It’s a feast for gothic horror lovers. The enduring popularity of Nosferatu is a testament of how we long to see our ...