So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigoryan Trittico”. Which would ...

Palladino’s new series, created with her husband, takes ballet somewhere it doesn’t usually go: the world of comedy.

Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow ...