Recently, REO Speedwagon’s Kevin Cronin traveled a few miles from his Southern California home to catch the Foo Fighters at a club with a capacity of 600. “It was so inspiring,” Cronin said ...
The band announced in September that it would stop touring in 2025 due to “irreconcilable differences” between vocalist Kevin ...
Please verify your email address. Google's Now Playing feature is getting album art in the history screen. The feature was spotted in a code change submitted to the repository fo Private Compute ...
REO Speedwagon frontman Kevin Cronin has lined up his first solo concert taking place after the band’s planned retirement from touring.
ROCHESTER — Almost 50 years to the day after city officials halted rock concerts at a city-owned venue following an REO Speedwagon concert, the legendary band is returning to Rochester.
Art director Hugh Syme talks to UCR about the prog-rock trio's playful cover of the 1989 LP. How an Unused Jimi Hendrix Album Cover Led to Journey's Scarab How an Unused Jimi Hendrix Album Cover ...
Shadows single artwork The album cover was chosen as it captured suspense: “There’s something on the horizon that might be of impact, or it might be a light flare, you don’t quite know what it is,” ...
This month, the Greater Sioux Falls Chamber of Commerce will welcome classic rock band REO Speedwagon to town for its annual meeting to celebrate the new year ahead. The Oct. 15 event will bring ...
Classic-rock legends Cheap Trick and REO Speedwagon. Gulf Coast Symphony playing Disney tunes ... and was nominated for a 2019 Grammy Award for Best Contemporary Blues Album. 7:30 p.m. Saturday, April ...
The pop star Halsey has a little 'dark rock' in her, paying homage to Evanescence's Amy Lee with an album art recreation and a new song inspired by the singer. Dream Theater Debut First Song Off ...
They even paved the way for late-’70s punk and the first Van Halen album. Guitarist Johnny Ramone ... the group retained control of all jacket artwork, press ads, publicity pictures and anything ...
Tamara de Lempicka’s first major U.S. survey invokes her as a trailblazing techno-feminist who borrowed freely from art history. But it also buries her erratic second act. By Walker Mimms ...