Duncan Stroik, a leading figure of the traditional sacred architecture revival in the U.S., leans over his firm’s latest ...

When she first visited the bucolic Paris home, it was like discovering a magical overgrown garden. That also made it ...

Therefore, in this study, we propose a hybrid classical quantum computing architecture model for the fusion of quantum annealing and fault location in distribution networks. Firstly, an algebraic ...

However, when the adversary is not a rational state pursuing defined interests, but a militarised theocracy masquerading as a republic, one that nurtures jihadist proxies as instruments of state ...

MOVING WALL The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years.

Cuban-born René Izquierdo, who directs UW-Milwaukee’s highly regarded guitar program, is widely recognized as one of the world’s classical guitar virtuosos. Izquierdo’s impressive ...

The School of Architecture provides deep immersion in the discipline of architecture, intensified by CMU’s culture of interdisciplinary innovation and creative inquiry - meaning you’ll be ...

Physical model of front entrance of Hong Kong Exhibition at the 2025 2025 Venice Biennale Architettura . Image © Eryn Kam and Holiday Chan, courtesy of The ...

An architectural rendering of Liberty Classical Academy's plans for an approximately 33,500-square-foot addition to its existing school in Hugo. The school, which serves students from pre ...

By creating this stark material juxtaposition in Venice, they hope to encourage discourse on how European energy targets should be met in a way that is more sensitive to the architecture of our ...

known for his “contemporary-classical” style, in Amenia, a Hudson Valley town, and the first of three homes he’s built for himself. Schafer, who made Architectural Digest’s AD100 in 2023 ...

By Joshua BaroneCorinna da Fonseca-WollheimSeth Colter WallsZachary Woolfe and Oussama Zahr The New York Times’s classical music and opera critics see and hear much more than they review.